Spring and June Brides are universal wedding tradition. The June wedding is a very romantic tradition and a huge industry that seems to never downsize. For Cissy, being a bride was hardly and option but a necessity to navigate twentieth century culture. Career options were still pretty limited, and a wife was one of the top five choices. For Madame Alexander, the annual Cissy bride was always an opportunity to design with a flourish and create something magical. The fun of collecting fashion dolls is the fashion they represent from the period they were produced. The wedding costumes done for Cissy are an intriguing look at the mid-century bridal trends that found their way to Cissy. Princesses got married, movie stars got married, prom queens got married... Cissy got married from 1955-1962. Perhaps it was cold feet or maybe she became the ultimate fashion victim - regardless, she is at her most beautiful each year in her bridal gowns, and the many wonderful variations of sleeve, veil, headpiece, and train details with, yards and yards of tulle, dozens, dozens of flowers with "pearls" and "diamonds" to finish it all off. Each year, under the gown, is the surprise element of a garter... the final flourish.
Cissy was hitting her peak of production and popularity in 1957. One of her biggest production changes also happened this year. The painted, bisque like finish she was introduced with in 1955 was changed over to a new infused finish. The skin tone of the doll now was added to the plastic rather than over the plastic as before. The lips, eyebrows and lower lashes were still added on in separate steps, but the infused plastic saved several steps and time in production of Cissy. The sealant coat at the end of the process still remained, and was probably the magic touch that gave Cissy that beautiful bisque-like quality that still survives in certain Cissy dolls today.
With two pristine mint dolls of the same production number to compare, it's a wonderful opportunity to look at the two finishes side by side. Within both the painted and infused types of finishes, there were any number of small tweaks happening as the company explored the production possibilities and to remain at the top of their industry. These are both No. 2114 of 1957. One is a blond and one is a brunette. The brunette has her box marked by the name of the doll, style number, and hair color. She also has the newer 1957 square hang tag that replaced the previous rectangular tags of 1955 - mid 1957. Alexander was also phasing out the use of both a coarser Saran fiber for wigs and a finer Saran. Only the finer Saran was used after 1958.
Cissy made quite a splash at her 1955 introduction. She probably got her best publicity from the controversial press regarding her adult figure as a child's play doll. A concept now used often by celebrities and politicians who generate controversy for sometimes world-wide free press that would be difficult to pay for but gets everyone talking. Cissy was the classic doll at the right place at the right time... so much fell into place to create the magic. World Wars would force the doll and toy industries to relocate to America to reinvent the industry. To this point, composition was the end product for the newest and greatest for dolls. The plastics available after WWII would help change everything, and the doll world was set for new renaissance that just happened to be based in New York. While the fashion world was still ruled by the Paris runways, those business were after the American market so they could survive in a world that had only about three thousand haute couture clientele left. And again, the American fashion industry was also based in New York... along with the home for a worldwide resurgence of ballet. In this ta-da moment, in Harlem was the former Studebaker auto factory, (210,000 square feet of floorspace), and now home to the Madame Alexander Doll Company - the rest is fit for a Broadway musical!
According to some sources, the Easter bunny first arrived in America in the 1700s with German immigrants who settled in Pennsylvania and transported their tradition of an egg-laying hare called “Osterhase” or “Oschter Haws.” Their children made nests in which this creature could lay its colored eggs. Eventually, the custom spread across the U.S. and the fabled rabbit’s Easter morning deliveries expanded to include chocolate and other types of candy and gifts, while decorated baskets replaced nests. Additionally, children often left out carrots for the bunny in case he got hungry from all his hopping.
Cloth dolls were the first product of the Alexander Doll Company. Madame and her three sisters were the company - making the dolls themselves. Here is a whimsical cloth 1940 Bunny Belle character doll by Madame Alexander with oil painted mask face, pink hair in braids, bright blue right glancing eyes, blushed apple cheeks and slant mouth. She weasr a felt short suit with pink jacket, white collar & blue skirt.
Nautical was part of the 1960 FAO exclusive Royal Tour Trousseau. It was also available as an extra Madame Alexander boxed outfit. This, along with a handful of other extra boxed outfits in 1960, came at the end of the career of Cissy as a mid century fashion doll that featured extra clothing and accessories. In hind sight, this was the curtain call after seven years for this large fashion doll. Cissy set the fashion doll standard for the American doll market. To confuse things just a bit, there was also a 1958 Nautical for both Cissy and Elise with red pleated skirt and a white jacket.
The 1960 Nautical was also available as an extra boxed outfit for Elise. The halter top is a remarkable application created with lingerie elastic... the midriff detail shows how tuned in Cissy was to the fashion of her day! The 1950s delighted in whimsy, and sailor and nautical inspired designs fit well with this love of novelty and themes — its popularity remained consistent throughout the decade. The hugely popular 1958 movie South Pacific made these nautical and yachting themes more and more popular going right into the 60s.
The launch of Barbie in 1959, along with a tremendous boost with the help of her TV ads on the Mickey Mouse Club and other children's programing changed the manufacturing pecking order. The course the business side of the doll industry would take, along with the newly morphed image of the American fashion doll, was dramatically redefined.
For those that watched the movie The Kings Speech, there was some interesting insight into the home life of Princess Elizabeth. With a peek into the royal nursery, Elizabeth was quite fond of her dolls and equestrian toys — which would become a life long passion for horses. At the same time, Madame Alexander was making dolls for the American market celebrating the young princess who was just about to make a huge bump in rank by becoming a royal princess, and heir to the British throne, once her uncle abdicated in 1936 and her father became king.
Princess Elizabeth and her sister, Princess Margaret had their play dolls, which were well played with, and they had dolls presented to them in a ceremonial capacity. The Royal Collection Trust has maintained a fascinating reserve of both of these dolls and toys — providing a unique look into these unique lives. The princesses grow up right at the brink of WWII, and lived with the war in London. They had virtually no friends their own age, so their play world was even more important.
Part of the fascination is enhanced by the long tradition of beautiful dolls created by Madame Alexander celebrating Princess Elizabeth who would become Queen Elizabeth, and a mother with children of her own. This all composition jointed body, glassine sleep eyes, real upper lashes, painted lower lashes, open smiling mouth with teeth and felt tongue. Betty face mold, with a mohair wig, was part of the early composition dolls by Alexander that would develop with the newest technology of each decade.
Part of the collection that showcases the childhood dolls and toys of Princesses Elizabeth and Margaret
Wearing green and leprechaun costumes on St. Patrick's Day are traditions that started in the 17th century, when people wore green ribbons and shamrocks on March 17 to honor Ireland's patron saint. The tradition was popularized by Irish immigrants in the United States, who believed that wearing green made them invisible to leprechauns, fairy creatures who would pinch anyone they could see. Pinching people who didn't wear green reminded them that leprechauns could sneak up on them at any time.
Of course, green wasn't always the iconic color of the holiday. Originally, it was blue! Green was thought to have flourished as a tribute to the Emerald Isles and inspired the color change from blue (back in the 17th century) in order to better match the Irish flag.
But for a growing number of people, taking part in the holiday means wearing orange. According to this increasingly popular tradition, Protestants wear orange and leave green attire to Catholics. Thus, the color you wear actually depends on your religious affiliation. While this color tradition is not well known, it has deep roots in Irish history.
Cissy is looking every inch the fashion doll in this must-have of vintage fashion. The fuller the skirt the better in the 1950s! With the aid of multiple layers of petticoats, 1950s skirts were as voluminous as the wearer could make them. These 1950s skirts usually start with a 3 inch wide waistband at just above the natural waist using 4-5 yards of fabric. To be really in fashion, the skirt had to be made out of wool. Extremely heavy and difficult to keep full even with hoops and petticoats underneath, they were only for the bravest young ladies.
The full skirt was popular because it was flattering. The fullness hid big hips and made waists look smaller. The fuller the skirt the more magic it had on slimming waistlines. Adding a wide cinch belt over the skirt band created an even more “wasp waist” look. Leather and plastic belts were very popular, but they were prone to tearing and bunching up blouses. The elastic cinch belt was the best at both keeping blouses tucked and waists thin.
Full circle skirt available through Vogue Patterns.
Cissy in those big stripes — makes you want to smile! Madame Alexander provided for Cissy well. From 1955 through 1962, Cissy was dressed, gowned, accessorized, jeweled and hatted with extraordinary millinery. Part of the fascination with fashion dolls is, well — the fashion! This striped dress with the contrasting of directional stripes isn't just a polished cotton day dress. It is a direct reflection of one of the big trends of the fashion of this mid century time period. Paris gave the runway oversized stripes, American department stores have their customers oversized stripes and Madame Alexander, constantly reacting to what was happening around her, gave Cissy big oversized stripes. Dolls, like fashion, are a reflection of what's happening around them.
The featured 17" 1965 Polly No. 1751 is a wonderful representation of the American prom dress. The word prom is short for promenade, the formal, introductory parading of guests at a party. The prom can be traced back to the simple co-ed banquets that nineteenth century American universities held for each year's graduating class. What to wear to the prom would reflect the fashion trends and culture of the moment.
Formal 1950s prom dresses were layers of tulle and snug princess cut bodices. These dresses were floor length or tea length. Pink was the hottest prom color with other bright colors being popular too. Bodices were strapless, halter neck, or mesh top short sleeves with silver and gold embroidery or accented with bows
The 1960s prom dress preferred a short cocktail dress over longer ball gowns. Pink shared metallic gold and silver as favored colors. For these formal occasions, a sleeveless bodice or a sleeveless empire waist dress with long skirt became very popular and the new silhouette. The prom dresses worn during this era were influenced by Hollywood movies, politics, and even The Space Age. From funky to glamorous, there was a huge assortment of design choices for this increasingly popular event.
The era of the prom dress - Polly is every inch a Prom Princess.
The 1957 No. 2110 for Cissy is a great example of the concept of a street dress with several fashion flourishes that make it quintessential “Madame Alexander”. The red taffeta example is familiar to many collectors. The dress itself is a modified shirtwaist dress. The shirtwaist was hugely popular for everyday because it was easy and comfortable to wear. The polka dot cotton blouse reflects the enormous popularity of polka dots in its many applications this decade. Cissy wears the new and very popular cloche style hat in white straw. All the rage in the 1920s, the cloche hat was reinvented in the 1950s - this time instead of felt being the material of choice, straw was a new twist for summer hats.
The blue taffeta variation of this No. 2110 is much more rare. It also came in a green version. Taffeta itself was hugely popular during this mid century period. Silk taffeta had been around for some time. Synthetic taffeta was relatively new. Taffeta is a crisp, tight-woven plain weave fabric with very fine horizontal ribs. It often is lustrous, with a characteristic rustling sound when moved. Taffetas are used for dresses, gowns, women's suits, blouses and trimmings.
Taffeta is not without it’s challenges, and has a number of problem issues. Limpness will result from the loss of sizing and yarn slippage from tension. If garments are not hung up properly immediately when dry-cleaned, difficult wrinkles and breaks can occur. As many find out the hard way, shiny iron marks can be left if irons are too hot or too much pressure is used.
Taffeta was hugely popular with the Paris fashion houses in it’s many interpretations, and was immediately translated by the big American retailers. Cissy, one of the great fashion dolls of this era, also showed up in taffeta, a reflection of what was happening around her.
One of my all time favorite Cissy’s is this 1957 No. 2143 lilac taffeta afternoon ensemble. It combines much of the best of Madame Alexander and her interpretation of midcentury fashion for Cissy. Included is a caplet jacket with lapels, a dress with box pleats a corsage detail at the bodice that coordinates with the flowers of her fashionable lilac straw hat with netting. This example is an auburn coiffed Cissy with curls that that pair up perfectly with her open crown hat.
The color itself is a complete departure of the practical war colors for the forties. A newly available post war pallet was all about an explosion of colors previously not available. Box pleats reinforced the idea of the luxury of fabric in ways that add new extravagant fullness and detail which required much more yardage.
By now, fashion had evolved to include a dress for every occasion and every occasion had it's hat. There was the house and day dress, the afternoon dress, the tea dress, and the newly established cocktail dress. Evening dress now included the prom - so very important to the emerging baby boomers. Evening fabrics like organdy, chiffon, taffeta, silk, and tulle were very popular, and bows, flowers or other accessories were often featured.
The lucite purse is particularly interesting detail seen with this Cissy. Lucite was created in 1931 by the American chemical company DuPont, which would also work with the Alexander Doll Company in the late 1940s developing and refining plastics for dolls. Lucite purses could be be quite fanciful in their design and color. They became particularly popular with the Miami vacation set - which became the playground of the wealthy during the 1950s. its fun-in-the-sun, holiday appeal made it the perfect spot to sell Lucite bags. The appeal was contagious, and the lucite purse became a major fashion statement.
My goodness - another 365 days have flown by. My own doll evolution has continued with new articles, new dolls, new photos, and especially new videos. Things shifted a bit in 2016, and will evolve more in 2017 as the format of dolledition.com morphs a bit into a newer direction.
For now, the very best wishes for your own discovery and dolling adventures. All of us here at dolledition.com, (well, it's just me wearing six different hats trying to make it work), wishing you a journey full of excitement and inspiration. Please - appreciate the dolls, doll groups and doll companies you love... it's not easy out there. Be Happy!
Seasons Greetings from the soldiers at dolledition.com — guarding our good humor and keeping it safe to smile! For generations toy soldiers have been part of the mix of the doll and toy world. Just the words ‘toy soldiers’ can bring a smile to the face of those with a love of history and joy of play. On duty here we have a vintage 18" English Chad Valley Royal Palace Guard c. 1940 and an 8" Madame Alexander Toy Soldier c. 1990 from the Nutcracker. Thanks for helping us smile and keeping it just a little bit happier!
So sporty! Polka dot bandeau top, Bermuda shorts, a long shirt detailed with brass buttons and a mandarin collar help Cissy and her resort fashion statement. Cissy is wearing cork wedgies stamped Bullocks Wilshire on the insole. The iconic Bullocks Wilshire of Southern California, carried an extensive collection for Cissy by Madame Alexander, and commissioned a number of store specials.
The 1950s was the first decade to embrace women wearing shorts more than just beachwear. This came to about 3 inches about the knee, with a high waist and side zip seams. They often did not have pockets (they added too much bulk to a slim silhouette) but some had ornamental of faux pockets that we’re angled slits.
The 1950s was the polka dot's biggest decade. Everyone from movie stars to housewives dressed up in dots, and the polka dot pattern has been often associated with the 1950s ever since. Because the decade was an innocent, carefree, prosperous one in American history, the polka dot carries connotations of innocence, happiness and prosperity also.
French designer Coco Chanel favored dots in the 1920s and such 1950s glamor queens as Marilyn Monroe flaunted the print while house-wives across America donned delicate, evenly spaced dots in "Leave It to Beaver" bliss. In the '60s, "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" became a pop-song dot anthem.
The fashion doll of fashion dolls... something for every occasion. Cissy does not disappoint or miss a beat. In 1958, Madame Alexander gave Cissy some serious Nautical and Yachting ensembles to coordinate with her newly discovered passion for the seaside life. Madame certainly recognized a good trend - mid century America was going nautical! Nothing mimics success like a new boat or yacht club membership. America was rolling in free leisure time and a new found wealth. Men like their toys too... and everyone needed to dress the part. Cissette, Cissy and Elise all came out to play - 1958 was a very Nautical year!
Start your engines - Thanksgiving holiday traveling is about to get serious. Cissy and Tucky Turkey have things to do and places to be. The final arrangements, like good ingredients, are still to be determined. So, if it's your turn to travel, be grateful it's not your turn to be dinner!
Smartly turned out, Cissy wears a tan felt swing coat and hat set. Underneath is a navy dotted full skirt and a lined organdy and lace sleeveless blouse. Tucky Turkey from Steiff is displayed in his full glory, and helps to set the holiday tone of their adventure.
Part of the fascination of collecting period fashion doll's are their representation of fashion of the era. This relatively sedate sheer shadow print is full of mid century references. Cissy being as up to date as she was, it's always fascinating to study her details.
Sheer dresses worn over a flesh colored slip became popular in the 1950s. These sheer dresses were often made in pale soft colors like white and sherbet tones. For evening, sheer dresses could also be seen in a wide spectrum of gray colors. These grays could range from a dark charcoal to a light and wispy hue of mist.
The shirtwaist dress was a very popular version of the full-skirted dress. Shirtwaist dresses, or shirtwaists for short, had a fitted button-down top, like a blouse, that ended at the waist. The buttons would extend a little bit below the waist for getting in and out of the dress. A full gathered/pleated or circle skirt completed the bottom. Sleeves were often cap, short or elbow length, and could also be full long sleeves. Sleeves were cuffed at the ends. The collars were usually pointed or small peter pan collars.
The large picture hat was a popular millenary device to balance out the very full skirts of the period. Literally every activity had an outfit and every outfit had a hat. Hats added the final touch of glamour to a woman or girl's ensemble. Last year's dress or suit could be updated easily with a new hat or a fresh ornament such as flowers, an autumnal bunch of acorns and leaves.
Fashion in the 1950s brought the world out of the conservative war years and into the dazzling ’50s. Metallic colors for strappy shoes were a popular trend of the era, as were rhinestone buttons and even rhinestones applied to clothing. After so many years of depression and war, sparkle and glitter was incorporated in sometimes the most unusual places — for both adults and children. Rhinestone jewelry was also very popular for earrings, broaches and necklaces. There were a number of companies producing some enchanting pieces, and costume jewelry took on a life of its own.
Halloween is a fun moment to try something a little off beat and maybe wickedly funny. This year, Mr. and Mrs. Frankenstein came to play with us at dolledition.com. In 2014, we had Wendy trick-or-treaters out and about for Halloween. Last year for Halloween 2015, (see the "About" page), Cissy was Wickedly Fashionable for the occasion.
DOLL NEWS Fall Issue for 2016 is just mailing out. I am privileged to have this issues cover and the lead article featuring Cissy. It's been a year long process to gather and photograph some of the dolls that are featured in this article: Cissy: Evolution of a Fashion Doll. Other dolls I already had or they came together for several presentations that I've been working on. The featured doll on the cover is one of my all time favorites. Having lived in her box since 1956, it's been an amazing experience viewing a doll virtually the same as it left the factory. She went with me to the 2016 Madame Alexander Doll Club Convention in Minneapolis, MN and won first place in her category. I drove from Virginia, so this years convention was quite the experience. Bringing dolls like this is nerve-wracking as it is... driving seems to ease the stress of wear and tear. Fast forward, and here she is, forever caught in the moment of the life of this American fashion doll.